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Sunday, April 29, 2012

Changes

It has been quite a long time since my last post.  Since then, much has happened. 

As most of you know, after over 4 years, my business partner and cousin, Carrie, of Ever After Wedding Photography (www.everafterlove.com), and I both decided to leave our studio on Water Street.  Although we could afford to be there, life changed so drastically for both of us, that studio life on Water Street was no longer the best decision for either of our businesses. 

Secondary to life changes, it was becoming increasingly unsafe in the area, and although we could afford the rent, it was nothing short of bad judgement to jeopardize our clients' and our own safety, and to spend such an astronomical amount every month for something that was merely an impressive place to greet clients.  Photographically, we can produce beautiful portraits from anywhere:  no matter where you take the artist, the art is still the same.  If you put a bad photographer in a beautiful place, you still get bad photography.  If you put a good photographer in a shabby place, you still get good photography.  Art comes within.

In May of 2011, almost a year ago, Carrie gave birth to her first child, a gorgeous little girl named Coen.  I had been juggling having my second child and driving from Germantown Hills to Peoria, sometimes twice a day.  Both of us wanted to spend more time with our children without sacrificing or causing any detriment to our businesses, therefore, we decided not to renew our lease on Water Street.

Our decision came at about the same time of the death of our beloved Grandmother, Virginia.  I, personally, lost my best friend.  She meant the world to both of us, and to our whole family.  Since Carrie and I came into the world, Grammy had been the center of it.  She raised us (in part), she was our friend, our playmate, our confidant, our encourager.  She taught us that nothing in the world was more important than family, and nothing is sweeter than the time you will spend with your children while they are growing.  To know Grammy was to love Grammy, and this love stretched far beyond our little family.  Through all that she taught me, I knew in my heart that taking a step back and making more room in my life for my children, and for my clients, was the right thing. 

Now I am able to spend more time with both.  I have new lighting, new props, new ideas, and more time to Photoshop my images.  Many props were custom made and some are still on their way.  I am most excited for a my 12-piece opaque etched brass to come, which will change the nature of all of my backgrounds. Now I am shooting with the largest file format possible, via an amazing new camera, and put my files through 3 different programs by the time I satisfied with them.  Instead of having 2 areas in which photograph my clients (as I did on Water Street), I now have 7, and am surrounded by gorgeous light and outdoor locale.  And best of all, it doesn't get any safer than Germantown Hills!

Most of my clients ask me if I like the move better...yes, I do.  Do I miss the old studio?  No, not at all.  It came with so much stress.  It may have been impressive, but the drive, the electric/gas bill, the safety issues, the astronomical rent, the time away from my children, the business insurance we were required to hold, the noise from the business next door, the flooding issues from the River, random people (and staff from other businesses) just walking in at will, the glass and cigarettes left on our doorstep each morning, the enormous responsibility related to the commercial machinery inside, and basically signing my life away for years at a time, all added up to be an easy decision to leave.

In the last year my art and business have grown exponentially.  My relationship with my children has flourished; they are a little older and more independent, but I am home more often to witness the little things that are so adorable, so important, so sweet.  I am able to work in my pajamas, run outside to swing my son, greet my daughter as she gets off of the bus.  Although at times I have to edit photographs until 2:00 in the morning, shoot on weeknights (and just about every Saturday), I make it work, and my kids are happy.

My clients have written me to tell me that they, too, are happy.  Many of the emails and Facebook comments that I've gotten express thanks for capturing their child's personalities and for making them feel at home.  I get many of these even before they come in to purchase photos, thanking me for making the photo shoot fun, and for being so patient with their children.  (If there is one thing I believe in, it is kindness toward children!)  I've had clients' mothers email me to tell me that I made their daughter feel beautiful again, and several boudoir clients tell me that this was the first time in years that they felt beautiful.  Most often, clients have "cheated" on me with new photography upstarts, and come back to tell me that the photos and experience paled in comparison.  Many reasoned that they were trying to save money by going to new photography upstarts, and ended up spending over $200 on pictures that they didn't really want, and swore to never do it again.  Some purchased discs only to not print any of the photos.  Those clients said that they had the realization that for not much more money, they could quality work that they really loved.  In these moments, when my clients make their confessions, I am so very happy, and so very humbled.  For days I will be walking on clouds!

I am very lucky.  My business has grown despite all of the new "photographers" that are popping up daily all over Facebook.  My clientele is about 90% repeat, and my new clients are almost always a good fit, and come back to me.  My clients know that they are getting art, and that time, love, care, and expertise go into their portraits.  I've been doing this for 8 years now, and I love my job.  There is much that 8 years of experience has taught me.  As of late, I am finding a new love of my art, and have been experimenting with new techniques, particularly with pregnant bellies, babies, and kids.  I am happy.  I hope that life is always this good.

Until next time,

Ona






Sunday, February 27, 2011

For Better Or For Worse

Like most artists, I am sensitive.  My feelings get hurt and my heart gets broken, especially if a client leaves me for another photographer.  My studio is my art and my being, and I am attached to everything that comes with it.  I know that I am supposed to appear all-business, stoic, and impersonal, but it just isn’t me.  My heart is always on my sleeve, for better or worse.

My clients are so important to me for so many reasons, none of which are about money.  You will never, ever find me judging anyone based on how they are dressed or how much they have in life.  You can’t put a dollar sign on people and their little ones.  I love getting to know them and enjoy making a connection with them based on who they are, as well as enjoy hearing their personal stories of how they came to be in life and what commonalities we may have.  It is a discovery, and is very personal to me.  My greatest hope is for is for my clients to be happy with their portraits, and for them to have a warm, welcoming, positive experience.

Although it is rare, when someone leaves me for another photographer, it hurts.  It feels like being broken up with in a way.  I start to wonder if I wasn’t good enough, if I did something wrong, or if they liked another photographer better.  Although I know that there are many different reasons that people choose to go somewhere else, none of which have anything to do with me as a person or my talent as an artist, it still stings. 

I opened up my full-service boutique studio to do the very best job that I could do, both artistically and interpersonally, from start to finish.  That has always been who I am, even as a young girl:  to do the very best that I can do.  I fully realize that I don’t have to go through the time-consuming retouching process; I could show portraits to clients via online proofing, rather than help them through the ordering process at their viewings; essentially, I could farm them in and out like McDonald’s customers.  That, however, would not feel right to me. It wouldn’t be even close to the best that I could do for my clients who deserve the very best.

When I left home and opened my studio, I knew that I wanted to take on fewer clients and provide more services, with artistic excellence, and with heart, but without price gauging.  I wanted to spend time with my clients and get to know them and their children.  Many of my people started with me when they were expecting their first child.  My dream was and is still to see many of those children into their senior photos. 

To facilitate that wish, I eliminated my minimum purchase, put all of my prices on a la carte (so that clients could get what they want, not what I want them to get), and started offering free sessions to repeat clientele.  My hopes were that they would visit me often and their children would look forward to seeing me.  This paid off…a hundred fold.  Clients are happier, I am happier, and, most of all, I feel satisfied that I am doing a wonderful job for people who mean a lot to me.

So, yes.  I wear my heart on my sleeve.  For better or worse.  I grow to care about my clients, and I fall in love with their children.  I can’t help it.  Sure, it leaves me open to getting hurt when people leave me...but my heart swells when they come back to me, only to coyly report that the experience with the other photographer, “just wasn’t the same.” 

Until next time,
Ona
"Amelia"
 

Sunday, February 13, 2011

The Art of the Photo Shoot

I get a lot of questions about how I get my portraits to look the way that they do.  I am going to try my best to take you along the ride of what goes on inside my brain over the course of a photo shoot. 

Ironically, I learned the basics of photography years ago in a darkroom at ISU.  At this time, we photographers were still using film for the most part.  My best friend Lindsay and I took a photography class as a “blow-off,” but it was this class that took up the most of our time all semester.  (On my website, if you go to the exhibition room, you will see Phoebe Johnson’s work.  Later in life, she became a good friend.  My photography professor turned out to be her brother, Joel.)

Contrary to popular belief, there isn’t a red light in a darkroom, at least there wasn’t in ours.  Lindsay and I were in a pitch black room, feeling around for our mixing chemicals and scissors to cut our film.  Next, we burned and dodged our film in a real lightroom (not the kind that you find in editing software these days) and sent it down a river of chemicals, then dried our photo paper.  Sometimes, it would take 8 attempts to get the burning and dodging correct, and we would only find out if it was right after the paper went through the chemical processing.  Like my present career, it all seemed very glamorous on the outside, but in reality, it was really hard work, and time-consuming, with an extremely high learning curve.

However, I am so thankful to have had that film photography experience.  All of the things that I learned in this class are what I operate off of every single session.  These basic things have become second nature to me now, but not without years of experience.  I very much believe learning on a digital camera is just not the same as learning on basic manual cameras with film.

At first, when amateur photographers start their journey, they often focus on very basic things on their digital cameras so that there is a photo to work with in the end.  At this juncture there isn’t much creativity, and the focus is just on getting it right.  They are thinking about settings for the camera, and knowing about relationships between the camera, aperture, shutter speed, and lens of choice.  Knowing white balances, how they relate to the camera, computer settings in terms of editing software(s) and print lab is important.  Most amateurs who have just started are in this place for about 2 years. 

Photographers who have mastered these basics move on to composition.  During a photo session, how the subjects are dressed, skin tones, relationships, ages, and attention spans all have to be taken into consideration.  Proper lighting, posing related to light and relationships, and number of poses based on what mom wants versus what the children will actually do has to be taken into consideration.  All of this occurs under the most important things:  talent and style.  This is where it ends for some and begins for others.

When I am shooting in natural light, I have to watch my light meter for the way that the sun comes through my windows.  If a cloud covers my light source (the sun), my light changes very quickly while little kids are moving around fast.  Also taken into consideration are what I call “blinkers,” as a good blinker can ruin about half of my photos!  All the while, I’m moving furniture and keeping track of time, as I know that my little ones don’t last very long.  I’m thinking of bribes, usually candy, to make them happy.  I also have to make sure that mom isn’t getting too stressed out at her kids running and jumping around.  Most people leave thinking, “what just happened?”  But then are overwhelmed at the number of great photos that we got.  Ahhh, the art of imperfection. 

Using artifical light is not any easier.  It is a very delicate craft.  I know what I want my work to look like.  I like the use of shading, and I know how to use it.  However, it is drastically different from using natural light.  I don’t see very many photographers using it around this area, as it is very hard to learn and perfect.  When you see most of the ads in magazines, this is what is being used.  It is quite elusive, and probably what I get the most requests for.

Shooting the portraits is the easy part.  Then it is on to retouching the session with editing software.  All I will say about retouching is that I use 4 programs, and it is the most time-consuming process from start to finish.  I have my own “recipe” for editing, and we do a lot to our photos.  The most frequent question I get is how I get my eyes to look the way that they do.  The best answer I have is that it is all in the lighting!

After all of my hard work, I cross my fingers that mom is overjoyed with the outcome. 

On the outside it seems very glamorous, but in reality it is an extremely high learning curve and very hard work every single day.  It is nothing like what it looks like from the outside.  Flexibility at being your own boss is exchanged for answering to clients, labs, deadlines, and your own reputation in the community, which is everything. 

Thankfully, I have been very blessed.  I know how lucky I am to have a flourishing business full of clients who appreciate what I do.  So…maybe I’m wrong.  Maybe it is all it’s cracked up to be.

Until next time,
Ona
Congrats to Lindsay and Greg Lester on their new baby, Finley Jane.  
This is one of my favorite photos of their second baby, Gatlin.


Thursday, February 3, 2011

One Million Facebook Viewers Contest – By Our Studio!

Join our contest!  The winner will be the face of our new Facebook ad that will go out to over 1 million Facebook viewers.  Enter by emailing me, and we will add your photo to the contest folder.  Your Facebook friends then vote by liking or leaving a comment under the photo.  The winner will also receive a gift certificate to the studio.  Happy Winning!

www.facebook.com/onasidlinger

Love,
Ona


Wednesday, January 26, 2011

Photographic Proof, With Love


Soon after I started photographing in 2003, I began to hear something from most of my moms that came into the studio: that it was the first time that they had felt beautiful in a very long time.  I started to realize that, like me, many of the moms who bring in their families or portraits have given so much to everyone around them that they have forgotten about themselves and were worn to the bone. 

Even still, I see so many moms pushed to the limit, left with only the energy to treat themselves to a fountain soda or a treat from the Starbucks drive through.  Worn out and at our limit, who has time, and, more importantly, who WANTS to work out or do any of the things that we used to do B.C. (before children)?  My bed, cozy jammies, and Jersey Shore sounds like paradise to me. 

However, when I look in the mirror, I wonder what happened to the girl who once loved to travel, tan, go shopping, and get drinks with friends.  Staring back at me is, well, a “before” makeover.  Putting on full makeup has been exchanged for a few swipes of mascara (if I am lucky); full styling of hair has been exchanged for a quick ponytail of frizz; and getting dressed up means putting on some yoga pants to grab a quick dinner from the Germantown Grille before my allotted time for child care has run out (Seven, how I miss thee).

Yes, motherhood is much different than I once thought it would be.  However, here is what I know: 

I wouldn’t have it any other way.

We are all busy.  Most of us have a very difficult time feeling like we have disappointed someone, and will run ourselves into the ground to make sure that everyone around us is happy. 

Personally, I do like making people happy.  It gives me great pleasure.  Making tired, deserving mommies feel beautiful again gives me great joy.  What they don’t always realize is that their beauty still resides within, and all that I do is simply draw that out.

I also know that I can show them photographic proof that all of their energy, everything that they give, everything they do, down to their bones, has gone to the very best cause in the world: 

Their smiling, beautiful, priceless children.

Until next time, lots of love,
Ona

 To Lindsay, my best friend always & one of the most beautiful, busy moms I know.

Tuesday, January 18, 2011

I Do Love Children


Welcome to our studio’s inaugural blog.  Thank you so much for joining us in the inner workings of the studio and our lives (one in the same!). 

This week was such a wonderful week filled with amazing new clients, which is a little different.  Most are repeat clientele that I have come to know and enjoy spending time with.  I will admit that I prefer it to be this way.  Getting to know the kids is so much fun, and when they come back to the studio they look forward to getting to do whatever they want and always have a fun experience (and, of course, scoring some treats).  One of my clients told her little boy that he had a choice:  he could go to Grandma’s or go to Ona’s to pick out photos.  He chose to come to the studio, and we were pretty sure that it was because he knew that he was going to get some goodies and possibly jump on a couch or two.  (I’m talking to you, Sarah Diesel!)

This week I had the privilege of photographing a newborn baby.  She was absolutely beautiful, and lucky to be born into an obviously loving family.  Her father told me that he could see in my work that I love children.  I am sure that this is something obvious to most people, but it was one of the first times that I had actually heard someone say it out loud.  It made my heart swell. 

I do love children. 

Ever since I can remember, children gravitated to me, and me to them.  Even as a young girl, I always felt a need to protect children, and to be on their level.  Although they are young, children don’t forget the way that you made them feel, and I have found that every little thing you do can stick.  My goal is to make them feel welcomed with open arms and that they are in a safe place filled with love. 

This is the same creed that I live by with my own beautiful children.  Even on two hours of sleep and ready to pull my hair out, I still want them to feel and know that they are loved more than anything on this earth, and that one day they can look back and say, “Wow, my mom REALLY loved me.”

I hope that I make all of my kiddos that come into the studio very welcome and loved.  I can say that they are mine, as they all become a part of me.

Until next time,
Ona
xoxoxoxo
 
 "Adam & Ava"

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